Ana Husman

Ana Husman’s practice disassembles the structures and textures of cinematic elements through film, installation, books, sound, image and text. She teaches at the Department of Animation and New Media at the Academy of Fine Arts in Zagreb, and is a co-founder of the documentary film organisation RESTART where she has been holding film education programs for children and young people for many years. Since 2003, she is a member of Pangolin, an artist-run organisation working in film, visual arts and research practices. Her works have been shown at film festivals and exhibitions worldwide.

I Would Rather Be a Stone (2024), A Room for Living (2018), I Love You, Ines (2017), Almost Nothing (2016), Postcards (2013), Football (2011), Lunch (2008), The Market (2006), Prigruf (2004), Home (2003), Merspajz (2003), for 2 (2003), Daily Progress (1999)